2. animation script creation Step
3. draw play in the writing of
4. animation script creation of the three major taboo
5. on animation script writing technical proposals
1. Animation Script Writing Skills
conception and structure of China's 367 million teenagers pregnant with a huge animation industry, the United States, Japan and Korea have inadvertently to conquer new territories between the gentle manner, while China is still far from satisfactory development of national animation. United States, its Disney, Miyazaki, Japan also has its, but there are up and down five thousand years of Chinese civilization has a long history, ancient myths, legends, and even our painting, mask, paintings, crafts, local art forms, are all Chinese Animation nation can try to use the gem, but \80's country where the blockbuster animated characters, it did not win the Chinese animation market, and I think the main link in the script that there were problems.
early in the Ming and Qing Dynasties, our \relative), the main, center of meaning \Animation is also true. Animation script creation process in the many elements involved, I think the most important part of the theme is reflected in the establishment and structure of the script's settings. The theme of the story, that conception, is the strong point throughout the script, characters, plot, conflicts are based on the theme of film exists, after the establishment of the theme, in accordance with the concept of specific intent on the creative material for the layout and cutting, to connect the various scenes up, which relies on the skills of the building structure.
This article is from the animation script's purpose, respectively and the structure of a brief demonstration on how writers.
Chapter. Animation script theme
the so-called theme, which is what we usually conception, matter whether fiction, drama worth mentioning, poetry worth mentioning, film worth mentioning, where the theme of all the literary and artistic works, are the soul of the work itself, its the importance of nature is acceptable. \
1.1 profound and unique theme
profound and unique theme and unique style of creative film and television work to stand out is one of the prerequisites. As we all know, \This is the famous \On the theme of the movie a lot of growth, while the U.S. animated \Disney is a unique theme is the sublimation of their ancient Chinese story of a dutiful daughter as a young girl's experience and a pursuit of self-interpretation of the feelings of father and daughter, so that story more times, but also broadened the depth and tension of the story theme , the original theme of the story superficial elevated to the level of human nature, which have to be very impressive. When it comes to love the theme, people tend invariably to the ode to love \to make the story more deeply.
Lee? Bo Buke said, \This year the winner of Oscar for best animated film \Americans always like to work in the film adding to the human thinking and worry about the future, so they once again with an animation to tell the consequences of ecological damage, a small penguins do not sing, an unusual journey of life, can also be seen as a bit of a different type of \In fact, on the \high-level dream. But \The West's \such as studying hard, integrity of the noble quality, and ugly it became the United States, it became a white ash, but the West was mostly paid with some kind of legend, became a heroic symbol. I can not arrogantly which version of the story more clearly, can only say that the expression of the theme in the film version of most of the East there is a \
In addition, the animated short subject deserves special mention. Because the animated short, there is a large part of the art video, a creative individual creative process, in the face of the audience are adults. Can a breakthrough from the subject content and mining, to make a new and profound observation of human nature, or the unique philosophy of thinking, is generally the key to the success of films. As the creator of the show focused on creativity and individuality play, animation and video form not only in the performance of unrestrained pursuit of style, individuality, and in the expression of the theme is also often stressed self. Animated short film \All the possessions and even his girlfriend to break out of the wall, and finally found himself trapped in a wire cage into. Just a few minutes, the life of the \, this form of creativity and story rich in symbolism, just match the style. Another animated short film \
Perhaps as animation students, usually is a director and production in one, not the animation division of the company as a clear, thoughtful, but I think the theme in our work at this stage which demands, at least to mean something - you give readers or viewers what information, how they get inspiration, they think because of what your work. If you want to be a profound and unique, that is to give readers or viewers a new experience. Animation is often refreshing in the form of expression more easily, perhaps more because of the diversity in form and flexibility, so many people are bartering, only the pursuit of abstract visual effects, but ignored the topic in depth. In fact, no substance in the works, form another fancy, give people up to sensory stimulation, can not really touch the audience, if we blindly on the pure energy of learning techniques, ignoring the nature of the quest for art and training, it will cause our work is not profound meanings, just a bunch of pictures to show off a pile of change.
1.2 hidden theme, multi-meaning and multi-subject theme
hidden meaning, and many more topics, so this video is more Aspect. In the script writing process, the impatience of the writer often rush to the theme-ended directly before an audience and, worse still video which add text to explain, always worrying about other people can not understand, this will largely the resulting film shallow. \For example, a thirsty person, much to smell the tea, a teapot than directly to see more exciting. Animated short film \direct manifestation of religious repression of the monk, but by the strong interest in the monk fish, suggesting that his yearning for freedom, where the theme of human nature in a mildly tortuous means to enlighten the audience unconsciously I think this is the most ingenious way of expressing the theme. So, I think the theme of animation script should automatically through the plot and showing pictures to the author's point of view should be concealed as much as possible.
cartoons appeared in many large \Of course, the theme is not to say so many more topics go hand in hand, all-embracing, also need to show it naturally should be avoided throughout the trivial things is haphazard. \brave, changed the former cautious, serious; wayward nimodipine also gradually understand the \and space, create a noisy but brotherhood of fish to the collective) the three themes, three lines each other totter along without a trace, no people to produce artificial or awkward feeling. \
\jealous, \. \really attract the adult audience that is not limited to visual stimulation, more to do with the film characters emotional communication, strange old man and his loneliness and his wife love the edge of female giant, is the child can not appreciate and understanding. I think our domestic animation done quite lacking in this respect, from the \theme ideas, although the profound and subtle reflection of a certain philosophy, but there is always a \\
Chapter. Animation script for the animation writer
structure, the structural, is to consider how to build story frame, clean leads, block segmentation, identify characters and scenes. Learned German? Field is defined as, \
Generally speaking, the story is structured into the dramatic structure and style of two non-dramatic structure.
1.1 dramatic structure
dramatic structure, that is, the structure of the Chinese literary tradition. It is usually obvious \Currently, the average theater cartoons are in the structure of drama, \This structure makes clear clues to the story, clear, easy-to-the audience's understanding and acceptance of full performance conflicts easy to plot ups and downs and a distinct rhythm, usually the fate of the characters and the story simultaneously. To a few cartoons, for example, on a animation of the various parts of the script as follows:
1.1.1 animation animation script start
the beginning of the script is the beginning of conflict, most Animation scripts are in conflict as the opening to act as a \In the beginning part of the writer to tell the audience as much as possible: \crisis and stimulate the minds of the audience suspense \For example: American Animation \The ants do not care to food to promote Philip ditch, which makes the ants face the threat of locust attack. The framework of the story, this part of the show out of the starting point of the principal contradiction - the deadly threat of locusts on the ants, the ants have to save themselves. At the same time this is to attract a significant audience suspense - how to solve conflicts, how to develop the story. \That is directed straight to the point of placing the audience in front, only to attract the audience to imagine what will happen. This indicates the beginning of animation script into play as soon as possible, not in isolation from the story to introduce the time, place, character, dramatic circumstances, writers must find a proper plot, cleverly show them
1.1 .2 animation script development
animation script development, is to undertake the opening, the story, let the conflict both sides repeated trials. The main characters in the film, the main conflict, important events will be unfolded in the development of some. Theater-style animation is based on a crisis, a film is always composed of many small crises together into big crisis. For the \A stronger than a, finally ripe to accumulate into big crisis, the plot would naturally and convincingly into the climax. Here is a successful example - a small town, a wedding, two brides, two of the world, this is the famous \The film film is a total of 76 minutes, one of \Another marriage, \\\
1.1.3 animation script climax is the climax of the story
conflict to a head, \intense, most exciting moment of the audience, because of this, such moments will not be long. Technically speaking, the drama of \Such as \strange little girl sent back to the bedroom, with its reluctant farewell; \absolutely, curse lifted, the sky falls Huayu, beast back into the Prince. If the plot climax to bring you a stunning visual spectacle, then you are emotional climax to a wholehearted emotional interaction.
1.1.4 animation script to the end of
climax in the past, followed by the whole film is the ending, the ultimate answer to the problem, so the end result of the story, or sadness, or happiness, or both, never again to give birth to what the dendrites. Animation script for the entire structure, the end is very important, the end is like a destination, and only decided the destination, you can select the starting point (start), before deciding which way, what event in what way the audience lead to the final destination (the development and climax). An impressive, full of memorable, thought-provoking ending, also affect the success or failure of the entire movie. This requires some attention to animation writers feel the weight of the end of the film, the story's beginning, development, and climax are all written in colorful, but the end of understatement, hasty work often feels top-heavy. Mainly from the end of the weight of the sense of \to meet the psychological motivation of characters in the play, but also conform to audience expectations and aspirations. Such as \further deepening of the themes - love is not dependent on identity, physical appearance,
wholesale wedding dresses, but in the hearts and West. On the other hand, the outcome of your story can move the audience,
cheap wedding dresses, whether it has a strong appeal, such as short film \the end of the small details in this meaningful, showing her from life full of love, though the end of this quiet, but from the emotional level, it inspires them.
general, in the five-minute animated short story within the story structure is often simplified, around a simple and powerful contradictions start in the \Some are enhanced out. It was also the typical structure of animated short films will be summarized way: \.
1.2 Non-dramatic structure
non-dramatic structure, is the disruption of temporal sequence, logical order, undermining the integrity of the narrative, emphasizing the theme, which aims to change people's common logic, access to described the greater freedom, bringing fresh impact. Non-dramatic structure of the film there were a few, such as \The mindset, positioning the animated audience. However, due to cultural and artistic development, audience and cultural levels increase, as well as on the literary production and dissemination of high-tech support, people's aesthetic tends to be more diversified, the concept of a variety of experimental works of modern drama will be endless, such as prose, bead type, square type faster, fragmentary, no screening type, time and space type and so on. Take the following examples of several common:
1.2.1 prose structure
prose structure similar to the prose literature, it does not value the integrity of the plot and causality, there is no clear beginning, climax and ending, not the pursuit of tension, with a combination of central figures and a lot of debris. I think there are words summed up well - \content, video and still struggle to shape powder. Film \
1.2.2 time and space structure
time and space structure usually refers to the \Among the films I've seen, Japanese animation, \during the filming of the movie clips, over her interpretation of the story intertwined with real life, time and space constantly jumping to the audience to feel. Although time and space, reality and illusion mutual penetration, but still strictly Anzhuo hero's experiences expressed in chronological order, so the audience does not make sense of chaos. Performance when the hero in psychology, but also make extensive use of flashbacks, hallucinations and other subjective lens, a fast-changing pace so dizzying. No significant effect throughout the film transforms, also do not have strong dramatic climax, it seems to tell us where the illusion is produced by true love does not go far.
1.2.3 novel structure
novel structure and dramatic structure of the different, often rival the conflict is changing, though every little plot is always the unexpected outcome, is not carefully Planning suspense, the role will not sensational, small waves are not intended to lead the audience in the emotional climax. Germany and France co-production of animated film \The film Cato this \Images. Video no shouting and no machinery roar to people's senses, but to focus on personality and his description of the activities and delicate feelings, enjoy them rather read a novel taste.
Conclusion
topic in a dominant position in the script, story structure, reasonable and accurate technique is to play a critical success factor, is my understanding and knowledge of animation writers. Prior to this, read a lot about film, television and animation books or magazines, it is difficult to find one on the cartoon and animation pre-production script writing an article or monograph, personal energy is limited, particularly as animation script of this topic students can achieve the Institute's and the results were only up to a certain extent, is subject to a future study and practice in greater depth understanding of relevant knowledge.
course, the animation script is not the only elements of film and animation, a good animation works just like a towering tree, its theme is that it's kind; style is its quality; text script is its root; picture version is its trunk; later animation and sound effects are its branches. Therefore, only through the joint efforts of various sectors complement each other circumstances, we can finally end a satisfactory animation.
2. animation script creation steps
first step, to have a basic story that contains a complete idea of concentration, and marked the protagonist of the story, including the composition of the story conflicts - development - conclusion .
second step, the above-mentioned expansion of the basic story into a narrative outline form, which contains a lot of details, and the story of the development of a clear plot.
third step, different locations outline, narrative outline of the film-by-site, which allows authors to control the rhythm and speed.
fourth step is to draft the script, then the second draft, until the final version. About one per minute.
as general narratives composed by three parts:
1 \ start: raises questions
2 \ Central: In the complex case develop its
3 \ end: to solve the problem.
Prior to this, there is a narrative outline,
cheap wedding dresses, it just outlines the basic components of the story, and in other locations which will be described in detail, the so-called deep structure, which formed the backbone of the story. This arrangement, on the one hand enable a better understanding of the concept of the whole story, on the other hand, can help solve the problems the initial stage.
start raises the question, that attract our attention, creating tension caused by the story of our anticipation of future development so that we will integrate them to the story. With this simple guide, we know the main characters and get involved in their disputes in the. Of course, we need to understand the background of the story. We were introduced to film a fictional world, as well as its style, tone and atmosphere which we are familiar with the film's major conflicts and problems they caused for the story and let us always worrying about.
central development story, that is, on the basis of the above to maintain and deepen our interest, we will as a complex story, crisis, conflict, plot, and similar difficulties, Vice increased expectations, at the same time can doubt solve the problem.
end to solve the problem, the story of the problem, conflict resolution, including the climax of the story, sometimes including the ending, ending is to make an end of the secondary leads, relieve us of our tension, while the end of our aesthetic experience, thus drawing the whole story of a successful end. It would appear that a complete film, in addition to artistic skills, the better able to impress the audience the story framework. Starting from the basic story of the playwright, through the middle of the evolution, rendering, write them into a beautiful story.
3. draw play in the writing of
First, let us know what is animation script (which is to compile a good script relies on the premise), \filming with the actors acting performance, to make viewers feel completely out of them wants to express every word every word, the audience can feel the screen and text to be passed between the emotions, so to compile a script with the five elements of good animation :
1. view script object
see the object the script is actually involved in the picture drawn by these officers.
how to make a good play animation script to achieve the desired effect of it, need to address the problem is that these persons involved in drawing pictures. First of all, how to clear these people are kind of person, the appreciation and how strong sensitivity on the text, such as arranging a \less than that feeling, that sentiment is generally fail to meet requirements; Second, we must stress the entire group of paintings with the team as a whole group of paintings of people with absolute than the entire staff team with the rhythm of a person of good . All treatment is completed, will convert those animated images of the play script.
2. play a good picture of the arrangements
good animation from the animation script writer, animation writer and a good arrangement of the screen to arrange with the story, and we must understand animation of the entire production process, and even some animation techniques and tools related to be very familiar with, so as to produce play scripts for animation staff. Because the traditional focus on story and script dialogue, and animation script is in picture performance, it is best able to render images in the hope that the feeling and movement and handling of all written into the lens.
as writer and director working in the arrangement, when the screen what the different? In fact, in the animation script and screen, the writer is to give the appearance of each element of chance, but the director is to show that they play the manipulator. For example: In the animated film a scene needs a martial arts picture with many elements, but these elements belong to the writer's responsibility, the director was directly involved, not much. If the writer and director of the workload of the opposite, then the director will need to spend more time to think, and affect the mood at that time, progress and style will naturally be affected. The emotion is different from the general take 2-3 years to complete the Activity of a cartoon, the picture naturally be affected.
3. with the simple story of a complex story
demand in today's market, the traditional story of elaborate and we seem to get away together, because the consumer's concept of \money happy \.
Obviously, the simple story has become the absolute elements of animation, the story of how a simple animation to reflect the more interesting is an important issue, more important is to understand that we are writing scripts in the face of all appreciate the people and not simply to satisfy their own desires.
cost big productions over the past few years no longer see advertising model, but more of a movie more interesting and more fun, which is typical of the simple story of a complex plot. Special to remind the \For example, the film \its interesting story, much appreciated, but not the story of their own praise. In fact, this script is the best animation script, the audience get what they want the story plot is not complicated packaging, this is the highest state of animation writers.
4, the market value of the script before we look at the United States
film \does not exist in real life is the image of the background space and time is not restrictive, is a perpetual cycle of album, he was unchallenged in the hearts of the children left a deep impression that this is not real life The image, promoting products on the shelf was a child selected opportunities.
the Japanese film of \are all so. For the children themselves can \.
from the example above you can see the importance of external goods. The example of the \The market value of the script that he can bring out the interests and the interests of screening is the best recovery of external goods, not always say the box office, this is all very clear that human animation.
staff to write the theme of the script can choose from the above example can also their own innovation. Could generate a market value greater innovation. The above writing is to follow the \Either American or Japanese-style approach should try to have a profound practical experience.
5. play the golden ratio
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